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This may have been assisted in recent times by the popularity of lead singer Tim Burgess’s lockdown Twitter Listening Parties. And pretty much every indie club night I’ve been to since then has featured The Charlatans – meaning subsequent generations of fans are still being born. The Charlatans were a turntable staple there, offering the best sonic link between past and present alongside the likes of the Inspiral Carpets.Īs time wore on and grunge began to fall out of favour, the upstairs and downstairs music rooms made a switch. But I favoured the smaller room upstairs, playing indie cuts mixed with 1960s Hammond organ-influenced sounds and classics like the Rolling Stones. With Nirvana and the grunge scene at its height, the main floor in my first club was for heavy rock, metal and grunge. Weirdo was one of the tracks that started to change that feeling.Īround about the end of ’92, I started watching bands and going to alternative club nights. I was acid house and baggy-curious, but too young and too far away from Manchester to participate in anything exciting. That was around the time my own personal music tastes started fermenting and graduating from pure pop. The Charlatans were not newly known to me with Weirdo my interest had been piqued with their second single, The Only One I Know, back in 1990. A driving call to disaffected youth to beat out their frustrations on the dancefloor.
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The music was mysterious, its church-organ sound portentous. Weirdo had been track two on the first ever CD I bought in 1992, the still-excellent indie compilation Precious. ‘Most of the time you are happy you’re a weirdo’… And with that line, a 15-year-old fan of The Charlatans was born. ❉ One of Britain’s most enduring bands celebrate 30+ years with an epic sweep through their back catalogue.